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One of anime’s main draws is its artistry; several fans argue its graphical quality is more critical than most American animated shows, while others dismiss non-Japanese animations. “There is no major division between digital effects or what is real…simply that’s the way someone envisioned it,” one anime enthusiast said. Holly Kolodziejczak, the development manager of Anime Fringe, described herself as “astonished” by anime’s complexity, which she said was unlike anything she had observed previously: “The characters had individual personality traits, emotions, and intentions for their activities, as well as abilities and imperfections that complemented their personas.

Consumers would more easily relate with them since they looked more like specific individuals.” Larry Green of Nausicaa.net concurred, adding that anime addresses issues relevant to both children and young adults, while animated film in the United States is often geared toward children. He also remarked that each viewer would quickly find anything to their taste because of anime’s colossal production volume. According to Susan J. Napier, a lecturer of Japanese history and linguistics, “find sanctuary in a civilization that differs from the conventional American lifestyle.” She noted that interest in Japanese society is not modern, having existed since the mid-nineteenth century.

For example, Claude Monet’s picture La Japonaise from 1876 features Monet’s wife wearing a kimono with Japanese palm fans in the backdrop. According to Napier, several Europeans saw Japan as a “haven from the Industrialization… a rural ideal,” according to Napier. Many young adults have been motivated by anime to discover Japanese culture, and the animation community actively supports this. Anime is a great way for fans to learn about Japanese etiquette. The whole mystical girl genre is primarily female-dominated; there are several comedic anime with all-female casts, for example.